New cover art for Burn Me Deadly

Here's the mass market paperback cover art for Burn Me Deadly, from the same artist who did Dark Jenny. What do you think?

(Don't yet have the official release date, but I'll post it ASAP.)

Guest-blogging at RomCon

Over at RomCon, I'm guest blogging about Eddie and Liz's relationship in Burn Me Deadly.

RELEASE DAY! (whew...)

Today is the official release day for BURN ME DEADLY.

If you've pre-ordered it, you're awesome. If you buy it today, you're only slightly less awesome. If you buy it eventually, you're still on the awesome scale.

And the winner of the "Name a drink at Angelina's Tavern" contest is...PARANOYD, for suggesting The Rogue's Stiletto, also known as the Back-Stabber (your profile doesn't have an e-mail address, so contact me with your mailing address).

And now, back to work on Dark Jenny. See you soon!

Coffee, tea or a signed copy?

If you've read The Sword-Edged Blonde, you know about Angelina's Tavern. Eddie LaCrosse has his office above the kitchen, and spends a lot of his off-time sitting at the bar. It plays an even bigger role in BURN ME DEADLY.

Now we all know about mead, and ale, and rum, and all the standard tavern drinks. But what would be on their specialty drinks menu? Suggest a drink for Angelina's Tavern in the comments and be entered to win the first signed copy (well, first after the one I sent my mom) of BURN ME DEADLY.

(And maybe your drink will show up in Eddie's next adventure, Dark Jenny.)

One more week until BURN ME DEADLY!

One more week until the November 10 release of the second Eddie LaCrosse novel, BURN ME DEADLY!

Learn what happens to Eddie and Liz after the end of The Sword-Edged Blonde!

Who are Lumina and Solarian?

Find out more about the mysterious moon priestesses!

What secrets are found in Angelina's attic?

Discover what the deadly dragon people are after!

And see why reviewers as different as Publishers Weekly, Locus and Romantic Times all give it high marks!

(Okay, I agree, that's enough exclamation points. I'll stop now. But do check out the book, I think you'll like it.)

The trailer for BURN ME DEADLY

The music is "Belthane Fires by Laura Powers. Used by permission.

Fiery surprise: the awesome beasts of Dragon Storm

In an earlier post, I promised to reveal the only other cinematic dragon that came close to rivaling the awesome Vermithrax from Dragonslayer. I discovered it quite by accident on a Saturday night, on the SciFi Channel (now known phonetically as "SyFy").

Those of you familiar with these weekend original movies know they're usually one thing: crap. Bearing titles like Mansquito, Mega Shark vs Giant Octopus and Rock Monster, these movies sport bad acting, Photoshop-worthy special effects and the same Eastern European scenery whether set in East Tennessee (Megasnake) or the mythical land of Lockland (Attack of the Gryphon). They used to be fun, in an MST3K kind of way; lately they've just been dreary and worst of all, boring. Occasionally there's a great idea (as in Warbirds, in which an all-female WWII bomber crew fights pterodactyls) but it's usually derailed by inept and sloppy execution (as in Warbirds).

And yet occasionally, like the daisy blooming atop a manure pile, you can spot an incongruous bit of beauty. Such a film is 2004's Dragon Storm.



I'm not proclaiming this a great film; far from it. It suffers all the defects typical to made-for-SciFi/SyFy movies: bad acting, illogical writing, "kingdoms" populated by less than two dozen people and metal props so clearly made of plastic they wave in the wind. Maxwell Caufield, in a Barry Gibb wig, plays the woodsman hero and handles his bow and arrow with all the dexterity of a porpoise trying to send a text message. John Rhys-Davies, who can't possibly need the money this bad, is the evil monarch in a crown that looks like it came from a Burger King kids' meal. Former Playmate Angel Boris plays the strong-willed princess (there's no other kind, after all). And the whole thing is directed by the actor who played Flounder in Animal House.

So what makes this movie so special? The dragons.



I don't know how they managed it, since the rest of the movie looks like it cost about five dollars. But the dragon effects are absolutely top-notch CGI. Somebody clearly went above-and-beyond the call of duty here. The beasts are designed well and logically, they're composited into the scenes with care, and they have a tangible reality that many of the flesh-and-blood actors don't manage.

The credits list Yancy Calzada and Stephen J. Brooks as the visual effects team leaders; I can only assume one or both of them has a soft spot for dragons and put in lots of overtime to make these look as good as possible. They look so good, in fact, that they make the rest of the movie appear even worse. It's as if Industrial Light and Magic designed the UFOs for Plan 9 from Outer Space.

Here's the trailer, with glimpses of what I'm talking about.



If you've seen a SciFi/SyFy original movie that surprised you by being, at least in some aspect, actually good, leave a comment about it before 10 PM Saturday and you could win a signed copy of my upcoming novel Burn Me Deadly.

The lair of local dragons

Two weeks ago, I described my quest to discover the origin of the Norwegian dragons lining some of the roofs in my new home town of Mount Horeb, WI. My quest led me to a secluded valley outside town where I found Little Norway. Immediately I knew I'd come to the right place: note the dragons along the top of the visitors' center:



These aren't the original dragons, though, that inspired their kin in Mount Horeb. Those are found guarding Little Norway's crown jewel, the Norway Building:



The Norway Building was constructed for the 1893 Chicago World's Fair. It was designed and built in Norway, then disassembled, shipped to Chicago and reassembled. After this it was moved to an estate near Lake Geneva, WI before being purchased by Isak Dahle and moved in 1935, for the final time, to its permanent home outside Mount Horeb.

(The history of this extraordinary building is covered in great detail in The Norway Building of the 1893 Chicago World's Fair.)



And the dragons?



In 1992 the building went through a major restoration and refurbishment. For this first time since it resided at Lake Geneva, dragon ornaments graced all three roof levels. These dragons were crafted and installed by Scott Winner, Little Norway's current owner:



"Dragons were put on buildings and vessels to ward off evil spirits," Winner told me. "The dragons originally on the Norway building had rotted due to old age, and were replaced with identical new carvings treated to make them more durable. This included six coats of Lucite paint."

And the dragons in Mount Horeb? They were created using templates Winner provided to the industrial arts department at Mount Horeb High School.

So my quest had ended. I knew the origin of these enigmatic guardians. But this knowledge made them no less impressive, and not one bit less magical. How could they be anything else?

On the trail of local dragons

I knew about the trolls. They're all over town. And the Mustard Museum, for a while at least, remains here in Mount Horeb, WI.

But I'd never noticed the dragons.

That's irony for you. My upcoming novel BURN ME DEADLY deals with a belief in dragons, and here I was in a town that actually harbored some. I'm sure I'd seen them before, lurking from the eaves of the Chamber of Commerce building, or stretched along the top of the Military Ridge Trail shelter. But somehow, they didn't register. And then, as if some sort of magical cloaking spell had been broken, I saw them looking down at me, belching their stylized fire.



They look harmless enough. And their Scandanavian origins were plain. But there was mystery afoot, because when I asked at the Chamber of Commerce, no one knew where they came from. They couldn't remember a time when they hadn't been there. They pointed me toward City Hall, where my luck was no better. I left my phone number in case anyone did recall, but I didn't hold out much hope. Clearly the dragons were experts at hiding in plain sight.



A visit to the Prairie Bookstore and a talk with its wise bearded proprietor gave me my first clue. The dragons, he said, were inspired by those of nearby Little Norway.

So, accompanied by my ferocious Viking sidekick...



...I pursued my lone clue and headed for Little Norway.



To be continued in two weeks....

Announcing the cover of Burn Me Deadly

Here's the cover of my next novel, Burn Me Deadly. The artwork was done by Jean-Sebastien Rossbach, who also did the paperback cover for The Sword-Edged Blonde.

So what do you think?

First dragons: Vermithrax from Dragonslayer

My upcoming novel BURN ME DEADLY involves, in part, a group who worship fire-breathing dragons. Because really, if you're writing fantasy, eventually you have to deal with dragons in some fashion. They're a trope, like swords and/or sorcery. Ignoring them would be like leaving the horses out of a western.

Not that I mind. Dragons continue to fascinate us because, much like vampires, they can symbolize practically anything a writer wants them to represent. Just look at the cultural differences between Asian dragons and their European counterparts, and the richness of the creatures as metaphors becomes apparent.

Still, everyone has a "first dragon," the one that awoke their sense of wonder about the creatures. For many it's Anne McCaffery's elaborate world of Pern, where genetically-engineered intelligent dragons bond with their riders; for others it's Smaug in The Hobbit, guarding his hoarde deep in a cave. But for me, it was the awesome Vermithrax from the 1981 film, Dragonslayer.



At the time of its release, Dragonslayer got a bum wrap for "ripping off" Star Wars. There's a naive young hero (Galen, played by Peter MacNicol) who is mentored by an old wizard portrayed by a distinguished British "Sir" actor (Ralph Richardson). There's a semi-magical weapon (a special lance, the "Dragonslayer" of the title) and a big, black-clad villain (Tyrian, played by John Hallam). Even Emperor Palpatine himself, Ian McDiarmid, has a small role as a village priest.

Of course, in the hindsight of twenty-plus years we can see these as simply standard fantasy elements that Lucas borrowed as well, and it's more interesting what the film does differently. Yes, there's a noble and strong-willed princess, but she's not the heroine. There's a Twelfth Night element in one bit of masquerading (the sole part of the film that simply doesn't work). And the medieval setting is vividly realized, helped by the suitably ponderous Alex North score.

Then there's the dragon.

First and foremost for me, Vermithrax maintains the integrity of basic biology. She's clearly a reptile, and so has only four limbs: her wings are modified front legs, similar to a bat's, or fossil pterosaurs. I'm endlessly annoyed by the six-limbed dragons (four legs plus wings) depicted in standard fantasy. No vertebrate has more than four limbs, and that counts wings. Saying, "it's a fantasy story," is a dodge, not an acceptable explanation.

Second, Vermithrax is scary. She eats human sacrifices, breathes fire and leaves a path of destruction. When she first appears, emerging from a literal lake of fire to tower over the hero, she's awe-inspiring.

Third, she doesn't talk. The dragons of Pern communicate telepathically, which is justified since they're genetically engineered to do that. But the chatty Draco in the inanely hokey Dragonheart has started a trend of talkative dragons that would embarrass even Walt Disney. Dragons are reptiles: they have no lips, and no mammalian voice boxes. Again, saying, "it's fantasy so it's okay," is an evasion, not a justification.



All subsequent dragons have been measured against this considerable standard. In fact, in the twenty-plus years since Dragonslayer, I've only encountered one other dragon that came close to equalling its impression on me (more on that in a later post). When it came time to create my own dragons, Vermithrax was my starting point.

The dragons worshipped in BURN ME DEADLY are folkloric, ancient creatures that, if they really existed, lived long before the dawn of man. They flew, and breathed fire, and laid waste to everything in their paths. They have qualities (intelligence, a compulsion to vengeance) that don't quite mesh with reality, but much of this is caused by the way stories change over time. Were there real dragons in the story, they would be much more in line with what I describe above: plausible, genuine, and terrifying.

But there are no real dragons...are there?

Leave a comment about your own "first dragon" before the end of this week and be entered to win one of three signed copies of The Sword-Edged Blonde paperback. One lucky winner will also receive an advance reader copy of Burn Me Deadly.

BURN ME DEADLY hits stores on November 10, 2009.

(There's a perceptive review of Dragonslayer here.)

On writing The Sword-Edged Blonde

(Originally published in the Tor e-mail newsletter)

A man walks into a bar.

If this happens in a science fiction or fantasy novel, the author has his job cut out for him. Not only does he have to describe the bar physically, but also its patrons. They might include aliens, ogres, trolls or elves, all of which can have any number of permutations. Then the drinks have to be laid out, and the money system enumerated. When all that's done, the author might have enough imagination left to finally describe the man who walked in.

I'm unusual as a fantasy or science fiction reader, in that the details of made-up societies, worlds and cultures hold far less interest for me than the people (I include non-humans in that term) who inhabit them. I remember listening in wonder to another well-regarded fantasy author describe the elaborate monetary system he'd designed, and for which so far he'd had no use. It's something I could never do.

When I wrote The Sword-Edged Blonde, I wanted to pare it down to the things I, as a reader, cared most about: namely, the people. Anything that distracted from them, and from the reader's emotional commitment to them, I either left out or minimized. For example, many fantasy characters have names that, if not literally unpronounceable, at least challenge the tongue; I named my hero Eddie LaCrosse. Eddie's office is, in fact, above a bar, one that is no different in feel and atmosphere from any you might walk into today. Eddie uses swords that, like modern guns, have make and model names, and the people speak in rhythms, patterns and tones that don't try to sound "otherworldly." There's no time spent digressing into societal details that don't apply to the immediate situation; this is not to belittle authors who do that sort of thing well, it's just something I neither crave as a reader nor excel at as a writer.

I did invent one term. Eddie is essentially a private investigator functioning in an Iron Age world. In our world, PI's are known by various, vaguely derogatory terms: shamus, dick, peeper, etc. I decided that Eddie's reality needed a similar term, and came up with "sword jockey." To me it rings with the same thinly-veiled contempt as "gumshoe" or "snooper."

The Sword-Edged Blonde (and its upcoming sequel, Burn Me Deadly) have been called high-fantasy stories written as if they were Forties pulp detective novels. That's exactly my intent, but it's not just an ironic stylistic choice; rather, it's a sincere attempt to let readers connect with the characters by letting as few things as possible get in the way.

So the man (or woman) who walks into a bar in Eddie's world could, hopefully, be you. And you'd be right at home there.

My WisCon schedule

If you're attending WisCon 33 in Madison, WI this coming Memorial Day weekend, you can find me at the following:

SATURDAY

Panel: Where is the Goddess These Days? Sat 8:30 - 9:45AM in the Capitol A room.
Rhianna Moore, Melodie Bolt, Catherine Anne Crowe and me.
Description: Previous WisCons had many program items about Goddesses and Goddess spirituality. These have been rather lacking the last few years. Is the Goddess passé, or is She so accepted there is no reason to talk about her any more? Is there any new Goddess–oriented fantasy and science fiction we might be interested in discussing?

Reading: Boll Weevils Advance From The South, Eating Everything That Tries To Stop Them Sat 1:00 - 2:15PM in Conference 2 room.
Forrest John Aguirre, Mark D. Rich, Robert F. Wexler and me.
I'll be reading from Blood Groove and The Sword-Edged Blonde; if time permits, I might squeeze in something from the next Eddie LaCrosse novel, Burn Me Deadly.

SUNDAY

Panel: Is Regionalism Dead? Sun 8:30 - 9:45AM in the Senate A room.
David J. Schwartz, Catherine Cheek, Rich Novotney and me.
Description: Modern publishing technology (e.g., the Internet, desktop publishing) seems to have created a global village and shrunk the distances between major cultural centers and the far–flung places where some writers live. Yet some Canadian writers who submit to U.S. markets are regularly warned not to focus too much (if at all) on Canada, and rural writers in any country are given similar warnings about writing about their actual milieux, yet reader appetites for fiction set in New York, New Orleans, Los Angeles, San Francisco, London, Tokyo or thinly–disguised versions of these cities are presumed to be unlimited. Let's discuss whether reality matches this perception.

Panel: The Care and Feeding of Your Vampire Sun 1:00 - 2:15PM in the Caucus room.
Fred Schepartz, Suzy Charnas, Alaya Dawn Johnson, Jordan Castillo Price and me.
Description: How do our favorite undead heroes come to life? Vampire writers reveal their dark secrets and give a blood to fangs description of how they create unforgettable vampires.

MONDAY

The SignOut Mon 11:30AM - 12:45PM in the Capitol/Wisconsin room.
I'll be available to sign books and chat about pretty much anything. Even if you don't have a book for me to sign, stop by and say hello.

Hope to see many of you there next weekend!